Albert Bierstadt
Albert Bierstadt's Oil Paintings
Albert Bierstadt Museum
Jan 8, 1830 - Feb 18, 1902. German-American painter.

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BOSCH, Hieronymus
The Magician gfh

ID: 05261

BOSCH, Hieronymus The Magician gfh
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BOSCH, Hieronymus The Magician gfh


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BOSCH, Hieronymus

Netherlandish Northern Renaissance Painter, ca.1450-1516 Bosch produced several triptychs. Among his most famous is The Garden of Earthly Delights. This painting depicts paradise with Adam and Eve and many wondrous animals on the left panel, the earthly delights with numerous nude figures and tremendous fruit and birds on the middle panel, and hell with depictions of fantastic punishments of the various types of sinners on the right panel. When the exterior panels are closed the viewer can see, painted in grisaille, God creating the Earth. These paintings have a rough surface from the application of paint; this contrasts with the traditional Flemish style of paintings, where the smooth surface attempts to hide the fact that the painting is man-made. Bosch never dated his paintings and may have signed only some of them (other signatures are certainly not his). Fewer than 25 paintings remain today that can be attributed to him. Philip II of Spain acquired many of Bosch's paintings after the painter's death; as a result, the Prado Museum in Madrid now owns several of his works, including The Garden of Earthly Delights.   Related Paintings of BOSCH, Hieronymus :. | St Jerome in Prayer (detail) ghj | The temptation of the Bl Antonius | Christ Carrying the Cross gfh | Garden of Earthly Delights | Hell (mk08) |
Related Artists:
Frederick bacon barwell
fl.1855-1897
Hippolyte-Lucas
French, 1854-1925
Thomas Anshutz
American Realist Painter, 1851-1912 was an American painter and teacher. He studied art in Paris at the Academie Julian, and at the Pennsylvania Academy of the Fine Arts under Thomas Eakins. His most famous painting, The Ironworkers' Noontime (1880), depicts several workers on their break in the yard of a foundry. Painted near Wheeling, West Virginia, it is conceived in a naturalistic style similar to that of Eakins, although Eakins never painted industrial subjects.






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